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biography

POP
Art inspired by Ne...
By artist OLAN montgo...

RESUME'


Gallery Representation:


Ward-Nasse Gallery, Soho, NY

www.ward-nasse.org


Steps Gallery, London

no art currently on display


Rogue Space Gallery

high-line annual open studios

www.highlineopenstudios09.org/Map/Map.html


Gallery 50, Rehoboth, DE

www.50contemporaryart.com


Lyman-Eyer Gallery, Provincetown, MA

www.lymaneyerart.com


Education:


Mother, Eslye Moore, self-taught artist

Father, Tim O. Moore, photographer

Columbia College, New York

Interview Magazine 84-86

Fashion Industry 84-present


selected Exhibitions:


Soho, on the street, 2002-2004

Ward-Nasse, NYC, NY 2002 - present annual solo exhibitions

The Art Party Hosted by Alan Cumming  2003

PLAID, Solo Exhibition, NY Nightlife hosted Boy George 2003

Center for GLBT 12th St,  2004 & 2005 

SPAR, Rehoboth, De  2004-2008

Gallery 50, Rehoboth, De 2008-present

STEPS Gallery, London, 2008-2009

Amsterdam Whitney Gallery, NYC 2006

Cottage School Church Benefit 2007-2008

Living Beyond Belief, Youth Events and Auction for World Aids Day and more - NYC 2006 - 2009

KANVAS Gallery, NYC 2007-2008

The Canvas Gallery, Seattle, Wa.  2008

New York Sex Museum Gala , NYC (commission of Dita von Teese - solo artist) auction 2008

Ali Forney Center Fund Raiser - Chelsea Art Museum - NYC- 2008 

Live Out Loud 6th and 7th Annual Galas - Chelsea Art Museum -  2008 - 2009

Gazelland Launch - Leo Kesting Gallery - NYC 2008

Live Portrait Event CEO Dany Sands of Make-up Forever 2009

Art Expo, NYC   2008

Art Expo, Las Vegas, Mandalay Bay 2008

Gallery 50, Rehoboth, DE - Solo exhibition, Aug-Sept, 2009

Look at Life solo exhibition at Summer Stage Concert Central Park Sept. 2009 (solo & juried)

Lyons Wier Gallery, NYC summer art fair, 2009

Art & Souls Exhibition, NYC Nov 2009


Collections:


Serge Villa, Milan Italy

School of Modern Art, Milan Italy

Center for GLBT, 12th St., New York

Courtney Love, Private Collection

Alan Cumming, Private Collection

Susan Jaffee, Private Collection

Beverly Sassoon, Private Collection

Ethan Steifel, Private Collection



Corporate Owners & venues where art has been purchased for display:


Bamboo 52, NYC

123 Burger Shot Beer, NYC

Hollywood Tans, 24th & 6th, NYC

Masako Hoshi Salons, Toyko & Kyoto Japan


Publications:


New York Times, July 2003 

MTV.com, October 13, 2006, Courtney Love art purchase of an Olan 

NYArts Magazine, March/April 2006 

M.A.R. Magazine, summer 2006 (Cover) 

M.A.R. Magazine, summer 2006 (article) 

Life Times, ART NYC, July 2006 

Michael Musto, The Village Voice, March 2008 

Michael Musto, The Village Voice, June 2008 

Heeb Magazine, Issue #19 2009 - Courtney Love Interview 

ETHAN SAYS BLOG, June 6, 2009 Art Images 

The Edge, Fire Island, NY - June 17, 2009 - Art images Only 

Out.com, POP.NOGRAPHY August 10, 2009 

HOMO-NEUROTIC.COM, August 13, 2009 

The Bottom Line Magazine, Palm Springs, August 15th 2009 - Cover Story 

The Cape GAZETTE, AUGUST 19th - 2009 

Bethany Beach Wave - Delmarva Now, August 20th - 2009 

ABOUT Gay LIfe Magazine, AUGUST 31 - 2009 

EDGE New York, AUGUST 27, 2009 

Best of Gay New York, October 15, 2009 

PRIDEsource.com - DIRTY POP - MIKEY ROX Holiday gift guide - NOV 19,2009 

Q & A Olan Montgomery - 60x80 Right Sized Travel - City Guide NYC - NOV 2009 

SAN DIEGO GAY & LESBIAN News - SDGLN.com - Dec 2, 2009 


Memberships:


Ward-Nasse Gallery, 178 Prince Street, NYC —2002-present

MyArt Space.com   2009

Lookatlife.com  2008-2009

Olan's favorite...Thoughts from a great thinker of the late 1800's...

"I say that the ordinary man who comes before a painting, frankly and generously ready to yield himself up to the impression that the artist has sought to arouse in his senses through his vision, will feel the significance of that art much more purely and fully than the critic who has set up for himself an elaborate code of laws founded on the achievement of one or two great masters, which the standard he applies to every work of art in a calculated and death-dealing manner which destroys his capacity to receive its real significance.

In short, the expert, by book-learning and by science, may come to a wide knowledge of the history of a painting of it's maker; but he has no gifts whereby he senses the real significance of that work of art a whit better than the ordinary man, who often endowed with superb and exquisite perception of the music that is in colour and line and mass.

It is as fatuous to measure the art of a Boucher or Chardin by the art of a Michelangelo or a Rembrant, as it is to measure that art of a Velazquez by the art of a Turner. The sole significance is as to whether an artist, by the wizardry of his skill, has created the impression upon our senses that he desired to create. If he shall have done so, then for us who sense it, he is a creator; if he shall have failed, then for us whom he fails to reach he does not exist as an artist." - Haldane Macfall.

A Little BACKGROUND...

I was born on an air force base in Georgia and lived out my childhood in Los Angeles and Macon Georgia before coming to New York to attend Columbia University. I love art, my parents love art and both were artists themselves, my mother and my step-father.  In fact I can't remember a day without mom and dad doing or planning something artistic.  Lucky me. 


 "POP ART was marked by a fascination with popular 

culture reflecting the affluence in post-war society in the 50's & 60's. It was most prominent in American art. In celebrating everyday objects such as soup cans, washing powder, comic strips and soda pop bottles.  The movement turned the commonplace into icons. By definition POP ART is  an art movement in the 50's through the 70's that incorporated modern popular culture and the mass media. 


Pop Art is a direct descendant of Dadaism in the way it mocks the established art world by appropriating images from the street, the supermarket, the mass media, and presenting it as art in itself.


I see a new commonplace desire  by popular culture for '5 seconds' of fame through reality TV and, in fact,  celebrity 'flashing' is on the rise from the pants down.  A friend of mine recently said to me, "today, people see what they want to see." 

 I'm asking you to see more.

My ICONS are aberrant, many not mainstream or known. No matter who they are,  they are individuals who matter.  They are all people  with whom we all have something in common and they touch our lives every day, they are you and me. My  'soup cans & washing powders 'are now held by  their 'commonplace strangers' from every street corner as they find sustenance through bottle collecting or whatever they can do to survive.  Today  the not-so-subtle complexities of our 'POP CULTURE' are infinite in these 'not-so-affluent' societal times as our own country engages in conflict.

 I do not live in the 60's and I am not blind to my own popular culture and  it's 'everyday objects', and yes, I do believe that people have been reduced to 'objects' in many situations fueled by mass media, and it's time for a change. My art is just here to remind  you to do so and you can start by acknowledging  the existence of that stranger standing next to you."  -  OLAN  2008  


OLAN Puts it SIMPLY....

My work has a simple message: see the individual through color
and light. by doing so, one's individuality can be more fully
understood.
- OLAN