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POP
Art inspired by Ne...
By artist OLAN montgo...

I was born on an air force base in Georgia and lived out my childhood in Los Angeles and Macon Georgia before coming to New York to attend Columbia University. I love art, my parents love art and both were artists themselves, my mother and my step-father.  In fact I can't remember a day without mom and dad doing or planning something artistic.  Lucky me. 


 "POP ART was marked by a fascination with popular 

culture reflecting the affluence in post-war society in the 50's & 60's. It was most prominent in American art. In celebrating everyday objects such as soup cans, washing powder, comic strips and soda pop bottles.  The movement turned the commonplace into icons. By definition POP ART is  an art movement in the 50's through the 70's that incorporated modern popular culture and the mass media. 


Pop Art is a direct descendant of Dadaism in the way it mocks the established art world by appropriating images from the street, the supermarket, the mass media, and presenting it as art in itself.


I see a new commonplace desire  by popular culture for '5 seconds' of fame through reality TV and, in fact,  celebrity 'flashing' is on the rise from the pants down.  A friend of mine recently said to me, "today, people see what they want to see." 

 I'm asking you to see more.

My ICONS are aberrant, many not mainstream or known. No matter who they are,  they are individuals who matter.  They are all people  with whom we all have something in common and they touch our lives every day, they are you and me. My  'soup cans & washing powders 'are now held by  their 'commonplace strangers' from every street corner as they find sustenance through bottle collecting or whatever they can do to survive.  Today  the not-so-subtle complexities of our 'POP CULTURE' are infinite in these 'not-so-affluent' societal times as our own country engages in conflict.

 I do not live in the 60's and I am not blind to my own popular culture and  it's 'everyday objects', and yes, I do believe that people have been reduced to 'objects' in many situations fueled by mass media, and it's time for a change. My art is just here to remind  you to do so and you can start by acknowledging  the existence of that stranger standing next to you."  -  OLAN  2008  


My work has a simple message: see the individual through color
and light. by doing so, one's individuality can be more fully
understood.
- OLAN

OLAN reviews



Chicago arts and entertainment 2002
'humanitarian olan sees every individual with wings'

new york times 2003
'tellers in tangerine - thanks to an artists loving homage,
bank workers find a wall of their own'

ny arts magazaine march/april 2006
'you bring light in - monica colbert follows olan's beacon'

mar magazine july 2006 ART issue
COVER with art of anne hathaway and feature article inside

Television:

july 2006
art to be included in 'dinner takes all' airing in late july
with tracy stern on tlc

july 10th 2006
art new york city . com
by marshall sponder

"Portrait Artist Makes it Big Upping the Subculture", March 3rd, 2008 in "La Daily Musto" by Michael Musto for The Village Voice

*images and copies of articles can be enlarged and read on Olan Reviews page


POP
Art inspired by Ne...
By artist OLAN montgo...

POP
Art inspired by Ne...
By artist OLAN montgo...

Benefit Cosmetics

Olan's on-line Beauty Lusts
Benefit Cosmetics Store!

POP
Art inspired by Ne...
By artist OLAN montgo...

POP
Art inspired by Ne...
By artist OLAN montgo...

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"I say that the ordinary man who comes before a painting, frankly and generously ready to yield himself up to the impression that the artist has sought to arouse in his senses through his vision, will feel the significance of that art much more purely and fully than the critic who has set up for himself an elaborate code of laws founded on the achievement of one or two great masters, which the standard he applies to every work of art in a calculated and death-dealing manner which destroys his capacity to receive its real significance.

In short, the expert, by book-learning and by science, may come to a wide knowledge of the history of a painting of it's maker; but he has no gifts whereby he senses the real significance of that work of art a whit better than the ordinary man, who often endowed with superb and exquisite perception of the music that is in colour and line and mass.

It is as fatuous to measure the art of a Boucher or Chardin by the art of a Michelangelo or a Rembrant, as it is to measure that art of a Velazquez by the art of a Turner. The sole significance is as to whether an artist, by the wizardry of his skill, has created the impression upon our senses that he desired to create. If he shall have done so, then for us who sense it, he is a creator; if he shall have failed, then for us whom he fails to reach he does not exist as an artist." - Haldane Macfall.